when were hypercard and storyspace developed

When were hypercard and storyspace developed professional#
When were hypercard and storyspace developed free#

Many other reasons are available for why an artist might wish to simply share creative control which could include the sense of involvement it generates, an expanded sensual experience and new ways of thinking about ourselves and the shapes of our lives in this century. From this perspective it can be difficult to look beyond formless meta-narrative as a legitimate way to tell a story. Many digital narrative theorists speak about how the digital medium frees us from authorial control, as if the artist is some sort of dictator rather than someone who shapes and shares experiences. General Field of Choice, Captain Involvement To make each of those choices meaningful turns this game into an enormous endeavour. First of all imagine all the programming necessary to create the characters of the shaman, Baltar and the five apprentices then imagine all the programming necessary to make all those different variables effective in a variety of episodes now imagine writing a sensible storyline that brings together all of these elements providing a unique experience every time you play given your choice of characters and actions.

These variables include: the four forces of water, fire, earth and wind the Magic Drum containing the celestial map, entry to the Realm of Spirits and the World Tree a bag of tricks containing a medicine pouch, weapons, tools, and gifts animal spirits that endow you with transformational powers and the powers of prayer. So why not make them the focus of the game? Next a complex interface is needed so that a bewildering variety of variables can be applied to the situations you face. As a woman I am appalled that I am required to play a male character when with the apprentices I can choose either gender. As simply a player I find the thought of choosing my own character more intriguing. First of all, you are required to play a shaman, but you have a choice over which of five possible apprentices will assist you. Using your control over the elements and animals, as well as the power of your Magic Drum, you must protect your pupil from Baltar, the fearsome shaman who will attempt to keep you from reaching the World Tree.Ī number of problems become obvious with this proposal. This document is merely meant to demonstrate the form of a proposal, but it also demonstrates where non-technical game writers can go wrong:Īs a powerful shaman, you must explore the surrealistic Realms of the Spirits, to deliver your apprentice to the World Tree. The Interactive Writer's Handbook contains a proposal for a game called Magic Drum. I would say this is a vital first step along with spending time actually playing computer games, reading hypertext fiction and exploring various CD-ROM titles. Someone with programming experience can quickly look over your plans and see right away where you are asking for the unworkable, the limited and the old hat. No creators should apply for grants or try putting together investments until they have formed a solid relationship with an experienced programmer. Probably the biggest stumbling block to storytellers making sensible use of the medium is their lack of experience with it. Storyspace, another hypertextual system dedicated to storytelling, was released by Eastcom in 1990 and in 1992 Make Friends with a Propeller-Head Today Myst 4 was originally designed on Hypercard.

When were hypercard and storyspace developed free#

Ten years after the appearance of interactive fiction HyperCard, a popular hypertext system, was first released free of charge to all Apple Macintosh system owners.

When were hypercard and storyspace developed professional#

These are not professional experts, just fans who have been at it for a long time. The writers featured on this site roll up their sleeves and get to the nitty gritty of plotting, character development, and known pitfalls to avoid. One of the most sensible sites on digital narrative that I have encountered which speaks from those twenty years of experience is the Interactive Fiction 3 site. It is now also known as Original Adventure. Crowther and Wood's Colossal Caves 1 gained wide-spread notoriety in 1977 when it was being passed around for use on mainframe computers at universities 2. Interactive Fiction itself has been around for twenty years. Glass Wings: The Choicest Bits The Choicest Bits by Katherine Phelpsĭigital narrative offers us new opportunities for how we tell stories and how we can experience stories.